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> Kirtan Mandali

In October 1971 Osho starts the Kirtan Mandali groups of Indian and Western sannyasins, who travel around India giving talks on His teachings, leading meditations, playing music, singing and dancing.

You want to know what kirtan…can do to enhance devotion. It can do a lot if we do it rightly. The way we are doing the second stage of Dynamic Meditation can be used for singing or dancing as well. It has been used in the past by those who knew its real meaning. Those who don't know the real meaning just dance and shout—which is a waste of time. If kirtan can be done in the way of the second stage of the Dynamic Meditation, it can be of tremendous help.
If you can dance with abandon, you will begin to see yourself and your body as separate from each other. Soon you will cease to be a dancer; instead you will become a watcher, a witness. When your body will be dancing totally, a moment will come when you will suddenly find that you are completely separate from the dance.
In the past many devices were designed to bring about this separation between a seeker and his body, and singing and dancing was one such device. You can dance in such a way and with such abandon that a moment comes when you break away from dancing and clearly see yourself standing separate from the dance. Although your body will continue to dance, you will be quite separate from it as a spectator watching the dance. It will seem as if the axle has separated itself from the wheel which continues to keep moving—as if the axle has come to know that it is an axle and that which is moving is the wheel, although separate from it.
Dancing can be seen in the same way as a wheel. If the wheel moves with speed, a moment comes when it is seen distinctly separate from the axle. It is interesting that when the wheel is unmoving you cannot see it as separate from the axle, but when it moves you can clearly see them as two separate entities. You can know by contrast which is moving and which is not.
Let someone dance and let him bring all his energy to it, and soon he will find there is someone inside him who is not dancing, who is utterly steady and still. That is his axle, his center. That which is dancing is his circumference, his body, and he himself is the center. If one can be a witness in this great moment then kirtan has great significance. But if he continues to dance without witnessing it, he will only waste his time and energy.
Techniques and devices come into being and then they are lost. And they are lost for the simple reason that man as he is tends to forget the essential and hold on to the non-essential, the shadow. The truth is that while the essential remains hidden and invisible like the roots of a tree, the non-essential, the trunk of the tree is visible. The non-essential is like our clothes, and the essential is like our soul. And we are liable to forget that which is subtle and invisible and remember the gross, the visible. It is for this reason when someone comes to me to know if kirtan can be useful, I emphatically deny it and ask him not to indulge in it. I know that now it is a dead tradition, a corpse without soul, as if the axle has disappeared and only the wheel remains….
There are two ways to come to the axle, the center, the supreme. One of the ways lies in your being so steady and still—just at a standstill—that there is not a trace of trembling in you and you arrive at the center. The other way is just the contrary: you get into such terrific motion that the wheel runs at top speed and the axle becomes visible and knowable. And this second way is easier than the first.
It is easy to know the axle if the wheel is in motion. While Mahavira comes to know it through stillness, through meditation, Krishna knows it through dancing. And Chaitanya surpasses even Krishna in dancing; his dance is magnificent, incomparable. Perhaps no other person on this earth danced as much as Chaitanya. In this connection it is good to bear in mind that man has both a circumference and a center, and while his circumference—the body—is always moving and changing, his center—his soul—is still and quiet, it is eternal. And the question of questions is how to come to this unchanging, eternal center. krishn13

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